Saturday, May 09, 2020

Ten Albums: Number 5 - Smashing Pumpkins - Siamese Dream

A friend tagged me in a Facebook challenges to post 10 albums that have influenced my musical taste. One record a day for ten days. No explanation, no review, just the cover.


Yeah, I can't do that without an explanation. Plus, it gives me something to write about. So, here, over the next ten posts will be my ten albums followed by a bunch of words.


Smashing Pumpkins - Siamese Dream


Siamese Dream came out in July of 1993, the summer before I started college. I had not listened to the Smashing Pumpkins much after Gish came out in 1991. But, when I moved into the Seton Hall dorm at DePaul when school started, this really cool kid who lived on our floor was a huge Smashing Pumpkins fan and played this album all the time. Since he was cool and I wanted to be cool, I listened it all the time, then went Tower Records to buy it for myself and my roommates were just happy to hear something that wasn't Cracker's Kerosene Hat album (more on that later).

This was alternative rock prime time, although to me, Siamese Dream still sounded like a prog rock album, which was a lot of what I had been listening to (I was happy to find a bootleg with Billy Corgan playing an acoustic version of Rush's Limelight). This album was everywhere my freshman year, and since we were in Chicago, they seemed even bigger. 

Cherub Rock, the great opener, the happy sound of Today, with lyrics that are not at all happy, the almost nine minute blistering epic Silverfuck, the sweet come down of Luna to end the album. The album had dynamics, loud songs, slow songs, quiet songs. My favorite by far is Mayonaise (it drove me nuts that many of Billy's song titles seemed to not be easily related to the lyrical content). Starting with a multiple clean guitars playing a simple before a blazing into a wall of distorted guitars ablaze. And the lyrics. Wow.

Fool enough to almost be it
Cool enough to not quite see it
Doomed
Pick your pocket, full of sorrow
and run away with me tomorrow
June

Great lyrics, a great solo, quiet, loud, quiet, loud, quiet loud.

No more promise no more sorrow
No longer will I follow
Can anybody hear me?
I just want to be me.

Billy sure had some angst when he wrote the lyrics for this album. And then rerecorded the other guitar and bass parts. I became a huge Pumpkins fan, burned through the backlog and saw them live for the first time at Redbird Arena on ISU's campus, a great show at the height of Siamese Dream's popularity, stood in line at Tower Records in Chicago at midnight when Mellon Collie and the Infinite Sadness came out with several hundred others. I've seen them play many times, but I've seen as many bad live Smashing Pumpkins shows as I've seen good ones. And Billy Corgan is kind of a dick, which I guess we all kind of knew anyway.

Besides Siamese Dream. I don't listen to the Smashing Pumpkins much anymore. Nothing after Mellon Collie (which probably could have been condensed to a single disc) stuck with me much, and I listened to everything before I wrote this. I do still really love the song Drown, which appeared on the Singles Soundtrack (and not the crappy 4 minute version with the solo edited out. 











Saturday, May 02, 2020

Ten Albums: Number 4 - Dada - Puzzle

Ten Albums: Number 4 - Dada - Puzzle


A friend tagged me in one of those annoying, yet fun, Facebook challenges to post 10 albums that have influenced my musical taste. One record a day for ten days. No explanation, no review, just the cover.

Yeah, I can't do that without an explanation. Plus, it gives me something to write about. So, here, over the next ten days will be my ten albums followed by a bunch of words.



Dada - Puzzle

I've never been to Disneyland. In all the times I've been to Southern California, mostly for work, I've only ever been to Anaheim once, and that was to see the Ducks play. Not the kid Ducks. The professional ones. 

The song Dizz Knee Land (see how they did that so WDC wouldn't sue them) I've heard thousands of times, played the riff on guitar a thousand times, been in someone's living room with Mike Gurley, the singer and guitar player from Dada, accompanied by my brother on guitar, and sang along to Dizz Knee Land with the forty others squeezed into the house party. I've made every band I've been in learn Dada songs. I've sat at Gamekeepers with my brother and the three guys from Dada after they played across the street at the Park West. I learned how to play Surround in college because the girl I liked loved the song and wanted me to play it for her. I still have the first Dada concert t-shirt I bought, the green one with the dirty song lyric on the back. I've seen Dada live more than any band except for one. And I can't for the live of me figure out why this band wasn't more successful.

My brother had this CD (are you getting tired yet of hearing how my brother shaped my musical tastes? Don't worry, it's my sister's turn soon). Back then my car only had a tape deck, so I put pretty much every CD we had on tape. I didn't listen to this much until one day, when I was mowing the lawn, I wanted something new to listen to. So I popped the Puzzle tape I'd made into my Magnavox Tape player (sorry, the Sony Walkman was too expensive) and listened as I cut the grass.

Power. Pop. Perfection. A three piece band, highly melodic, vocal harmonies throughout, face melting guitar solos. Radio ready singles. No songs to skip. My favorites are the opener, Dorina, Dizz Knee Land, Dim, and Moon, the angsty track that builds up to a blazing solo that ends the album.

Why don't more people know about dada? Why have their five studio albums not sold better? 

Dada fans are pretty nuts and very loyal. Going to a Dada show is like a fan reunion where everyone knows and recognizes each other. My brother knows most of them. They know my brother. He did some photography work for them, including for the Live: Official Bootleg (vol 1) CD. One of his shots also ended up on a t-shirt.
Photo by Dave Smolarek, signatures by Joie Calio, Phil Leavitt, and Michael Gurley

Dada isn't touring right now. They started recording new material in 2011 but stopped. Mike Gurley has been battling carpal tunnel syndrome for 25 years and he's had to adjust how he plays and during shows and dunking his hands and arms in buckets of ice kept near the stage.  We're all hopeful something new happens. Until then I keep Puzzle on regular rotation.



Saturday, April 25, 2020

Ten Albums: Number 3 - Marillion - Marbles

In the time of pandemics, we all seem to have a bit more free time. For me, the cancelling of, well, everything has really killed my writing routine, where most of my writing was done at coffee shops while my kids were at sports practice. I haven't been able to adjust and man is it frustrating.

But a friend tagged me in one of those annoying, yet fun, Facebook challenges to post 10 albums that have influenced my musical taste. One record a day for ten days. No explanation, no review, just the cover.

Yeah, I can't do that without an explanation. Plus, it gives me something to write about. So, here, over the next ten days will be my ten albums followed by a bunch of words.



Marillion - Marbles

Where to start with this one. Well, you probably wonder who the hell Marillion is, so let's start there. Well, they are a British prog-rock band. Um, they've been around since 1982. They have released 19 studio albums. Their history can be split into two, the first 8 years with lead singer Fish, the second, with lead singer Steve Hogarth, who replaced Fish in 1989.

Marillion is the band that I've successfully gotten zero other people to listen to. They are totally not cool. Anytime I wear a Marillion t-shirt, people don't even try to ask me who they are. They don't even try! But Marillion fans are dedicated. For nearly twenty years, Marillion has been hosting Marillion weekends in Europe where they play different sets over multiple nights and thousands of people travel the globe to go see them.


Some Smolareks in the Album liner thank yous.
Marillion was the first band to crowdfund the recording of an album way back in 2001 before it was cool. Marbles was also available for preorder and if you did, your name was listed in the album notes. I even let them call me Michael, although my brother went by Dave. And I wouldn't have listened to Marillion without my brother's influence. Hell, I've never been to a Marillion concert without my brother.

But you don't care, and that's fine.

Marbles was released in 2004. It's a two CD album that clocks in at 98 minutes and 44 seconds, and starts with a thirteen minute song, ends with a 12 minute song and has an 18 minute song to close the first disc. There's mellow tracks, rockers, epics songs, short snippets bringing back theme with variation. The opening song, The Invisible Man, is fantastic. The slow, quiet build of Fantastic Place to its string driven crescendo as it ends is majestic. The back to back punch of the The Damage and Don't Hurt Yourself The closing song, Neverland, (yes, Peter Pan) is my favorite Marillion song off all time. 


Marillion played the Park West in Chicago when Marbles came out, playing most of the album as part of their set that night during one of the best live shows I've ever been to. How great was it? When Marillion finished their second encore, no one in the Park West left. They had to be retrieved from the tour bus to play a third encore for the crowd that wound not leave.



Listen, I know you're never going to listen to this album. Who has nearly two hours to listen to music? Wait, we all do right now. But it's okay if you don't listen. I'll listen to it for you over and over and over and over again.

So don't listen to it. It might not be for you. And that's okay.










Sunday, April 19, 2020

Ten Albums: Number 2 - Toad the Wet Sprocket - Fear

In time of pandemics, we all seem to have a bit more free time. For me, the cancelling of, well, everything has really killed my writing routine, where most of my writing was done at coffee shops while my kids were at sports practice. I haven't been able to adjust and man is it frustrating.

But a friend tagged me in one of those annoying, yet fun Facebook challenges to post 10 albums that have influenced my musical taste. One record a day for ten days. No explanation, no review, just the over.

Yeah, I can't do that without an explanation. Plus, it gives me something to write about. So, here, over the next ten days will be my ten albums followed by a bunch of words.



Toad The Wet Sprocket - Fear

There was this girl I liked in high school who was huge into Toad the Wet Sprocket. She was also super cool, liked college rock and new tons of bands I had never heard of. She pressed me to listen to Toad's their prior release, Pale, which I liked, but it was sort of a sad record. Then this came out.

I mean, come on people, it starts with Walk on the Ocean, ends with I Will Not Take These Things for Granted. The songs are all so different, and take on some heavy themes, like Hold Her Down, a song about rape. The angelic voices during the last minute and a half of Pray Your Gods. And the big hit, All I Want, which I still love, even after it became a staple on the 101.9, The Mix as a contemporary adult hit. The afore mentioned girl and I wrote in a notebook together for most of high school. When we got tired of writing, we'd put in song lyrics that the other person had to guess. This album was probably the most quoted album in those notebooks and it's because there is not a bad song on the album. This was also not like anything else I was listening to at the time, a steady diet of Rush, Queensryche, Cracker, Tesla and Stevie Ray Vaughan (but really mostly Rush). It pushed me towards music that wasn't as mainstream

Toad went on a tour of colleges to support the release of this album, including a show at Harper. The girl had an extra ticket at the last minute and asked me to go, but I was already at work at La Roman's Kitchen and I couldn't get someone to work for me.  Fear not, for Toad played a million college campuses over the next few years and I went to seem them at many, including a Tuesday night at ISU while we were juniors. I'm still trying to remember how I talked my mom into letting me go to that.

Toad became a band I saw every time they toured and bought their records at midnight at Tower Records the minute they were released. I remember my immense sadness when they broke up in 1998, although they performed some one off shows and mini-tours on and off before getting back together for good in 2009.

Of course, you are more likely to hear Walk on the Ocean or All I Want through the overhead speakers when you are at Jewel today than on a radio station.

In the breakup years, Glen Phillips wrote, recorded and toured frequently. The shows were in smaller venues, usually just Glen and his acoustic guitar. A few years into dating, my wife and I went to see Glen at the Black Orchid Nightclub at Piper's Alley. I had a hockey game right before the show and I raced back from the game, hurriedly showered and got ready and was still sweating a little bit by the time we got settled into our seats and ordered drinks. It was such a great night, a great show, a night we talk about frequently, a show all other Glen Phillips shows are measured against. It's a night I could relive again and again.


The lyrics of I Will Not Take These Things For Granted are relevant right now as we are all trapped inside:

but if it's frightening, I'll bear the cold
and on the telephone
your offer warm asylum
I will not take these things for granted

Saturday, April 18, 2020

Ten Albums: Number 1 - Huey Lewis and the News - Sports

In time of pandemics, we all seem to have a bit more free time. For me, the cancelling of, well, everything has really killed my writing routine, where most of my writing was done at coffee shops while my kids were at sports practice. I haven't been able to adjust and man is it frustrating.

But a friend tagged me in one of those annoying, yet fun Facebook challenges to post 10 albums that have influenced my musical taste. One record a day for ten days. No explanation, no review, just the over.

Yeah, I can't do that without an explanation. Plus, it gives me something to write about. So, here, over the next ten days will be my ten albums followed by a bunch of words.


Huey Lewis and the News - Sports

My first record. Well, besides Sing along with Sesame Street.

I vividly remember riding my bike up to The Flip Side (okay, no one called it "The" Flip Side, it was just Flip Side) with my brother to buy this album and the Weird Al Yankovic "Eat It" single. I can assure you that my brother was not buying a pop rock album as he was more of a progressive rock fan (more on that later) but he was there to help introduce me to record stores. Even when he wasn't directly influencing my musical tastes, he was helping me dip my toe into the wonderful world of music.

By the time I bought this album, "The Heart of Rock & Roll" had been played millions of times on radio, and the video was a staple on MTV, and saxophone solos were cool, a trend that continued throughout the eighties until alternative music killed it. We had a record playing in our living room and I listened to this record hundreds of times there. Then I got a boom box and I wanted to listen to this in my room. So I put a cassette tape in the boom box, stuck it up to one of the speakers of the stereo attached to the record player and dropped the needle on Sports. I paused the tape to flip sides of the record, restarted the recording and in forty minutes, I had all nine songs of Sports on side a of a Maxwell CR-90. Then my brother came home. I proudly showed him what I did. He shook his head and told me to play the tape. I rewound to the beginning and started the tape. It took seemingly forever before the heartbeat into to The Heart of Rock & Roll to start. Plus, it didn't sound right, like half the parts of the song were missing. That's how I learned about stereo. Turns out, different parts of the music come out of each speaker. My brother taught me how to record correctly, and for countless nights, I listened to that Maxwell CR-90 through my crappy Kmart bought boom box, propped between the headboard of my bed and my pillow. I usually feel asleep before "I Finally Found a Home" and always woke up to the click of the play button stopping as the tape reached it's end.


"Walking On a Thin Line" is my favorite song on the album. I also loved the closing song, a cover of Hank Williams's "Honky Tonk Blues." But there are no tracks to skip on this album.

The picture is the original record I bought at Flip Side way back in1984. I still have it and I'm listening to it while writing this. Back when album art matter because, well, records were huge, this was a classic. Huey in the foreground, jacket slung over his shoulder, top button undone, skinny 80s tie slightly loose, the rest of band seated at stools around the bar eyes focused at the camera,  bassist Mario Cipollina working the bar, wearing the sunglasses he always wore, a San Francisco 49ers game on the TV. Then, flip to the back, everyone but Cippolina is gone from the bar, and the band is shown on TV, the previously clean rack of pool balls in motion across the pool table.  Cool. The adult in me now sees the bottle of Maker's Mark and wants a bourbon with a splash of coke.

I still know every word of every song on this record. I still love it. I still listen to it. I've never seen Huey Lewis and the News live and probably never will, now that Huey is dealing with Meniere's disease, which damaged his hearing making him unable to perform. But I'll always have Sports. The Heart of Rock & Roll is still beating.


Friday, February 28, 2020

Ghost Rider: Travels on the Healing Road by Neil Peart

Ghost Rider: Travels on the Healing RoadGhost Rider: Travels on the Healing Road by Neil Peart
My rating: 4 of 5 stars

I read this in 2003 when it first came out in 2003 and decided to read it again after Neil Peart's death in January of 2020. It's hard to read something and not relate it your own life. I've been a Rush fan most of my life and seeing Rush on their Test for Echo in summer of 1997 marked the start of a new part of my life as I took my last final, graduated from college saw Rush live and started a new job all in a span of four days. Right after that tour, Neil's life changed forever in a much more dramatic way than my life had as his daughter died in a car accident on her way to college and his wife died of cancer within a 10 month span. Thus, starts the ride of the Ghost Rider across Canada, up to Alaska, back through the US and south through Mexico and Belize, in an effort to keep moving, to try to make some meaning out of what happened. There's some hard feelings in this book as Neil fights through his grief, weaving in descriptions of his rides, the scenery around him what he is feeling, and letters he writes, including to his close friend Brutus, who get send to prison early in Neal's travels. What does the Ghost Rider and the other parts of his baby soul find along the way and when does the travel end? Well, I don't want to give away the ending. A must read for any Rush fan, a great read for anyone interested in one person's battle through grief.

View all my reviews

Wednesday, January 29, 2020

How I Ruined Christmas



I ruined Christmas last year. Okay, not everyone’s Christmas, just for my oldest, the twelve-year-old boy. You see, he is still a believer. Well he was. He isn’t anymore. Until December 23, 2019 he fully believed in Santa Clause and the magic of Christmas until I ruined it.

How did I ruin it, dear reader?

Well, when you have children and you need to wrap gifts, you do it under the cover of night, after the children have gone to sleep and somewhere far away from where they sleep. And perhaps after wrapping a mountain of gifts, then hiding them in places where the children won’t look, like in closets where they are supposed to hang their clothes and coats, or behind cleaning supplies, you leave one gift out on accident, one gift that you didn’t notice on the stool in the kitchen where you wrapped last night, or in the morning while you were eating your breakfast in the semi-darkness. But when he wakes up, the twelve-year-old spies the gift and being inquisitive, he looks at it, looks at the gift tag and sees that the gift is from Santa. And it’s sitting in the kitchen. On December 23rd.

Dear reader, did I mention that I was at work on this fine morning, thus leaving the aftermath of this shocking discovery to my wonderful wife. Since she doesn’t like to bother me at work with something as trivial as shattering our children’s belief in a made-up entity, she texted me.

B: You forgot to give me one of the presents that you wrote from Santa. The boy saw and is so upset. 
Me: Oops.
Me: sorry.
B: He still didn’t want to believe it wasn’t magic. He says we always tell him we can’t afford things.
Me: I’m sorry I have made your day even harder.

I should pause here and go back in time a few months. I mentioned how the twelve-year-old is still a believer. That belief extends beyond Santa Clause to other mythical beings whose tasks of giving gifts are really performed by parents, including the tooth fairy.

The twelve-year-old lost a tooth a few months ago. As dutifully as ever, he plopped the tooth in a plastic baggie and slid it under his pillow, eager to trade it for whatever small bills the tooth fairy might have in his wallet (is this why my mother always had a notebook will various denominations of cash in her desk, for these last minute tooth fairy emergencies after banking hours?). Unfortunately for the boy, the tooth fairy is often harried and tired on a week night and often can’t remember to pull the car off the street and into the driveway to avoid an overnight ticket, let alone remember to swap a few dollars for a tiny tooth. Simple put, the tooth fairy, both of them, forgot.



Not the real tooth fairy!
Luckily for me, I was again off at work that morning when the boy sulked into the kitchen after waking up to a tooth still in its bag, not swapped for cash.

“The tooth fairy didn’t take my tooth,” he reported as he dropped the baggie on the kitchen counter.

“Sometimes the tooth fairy forgets,” my wife said. She was being truthful, but that didn’t assuage the boy. He pouted all through breakfast, while making his lunch and while getting his bag ready for school. Finally, my wife had enough and sent to two younger kids upstairs so she could talk to the twelve-year-old alone.

“The tooth fairy isn’t real. I’m the tooth fairy. I’m the one who takes your teeth and replaces them with money, me and your dad.”

He looked at her in disbelief.

“No, that’s not true, mom.”

The conversation continued buts let’s just say she was unable to convince him that there was no tooth fairy. It certainly seemed like his believe was not just about the money. He really, really believed.

Later that day, the twelve-year-old lost another tooth. Come on, what are those odds that he loses a tooth on back to back days! When he got home from school, he added that tooth to the bag containing the tooth from the previous day.

“Now I get money for two,” he said.

“What are you going to do?” I asked my wife.

“I dunno.”

After we put the kids to bed and watched a little TV, we headed upstairs. She hadn’t really decided what to do and I could see she was torn. Eventually what she decided to do was to avoid a disappointed and disillusioned child by tiptoeing into his room and swapping the two teeth for a five-dollar bill. The next morning was a win, win, win for the boy. He had five bucks, he was happy, and he still believed.

So, back to Santa, back to the fateful morning of December twenty third. The truth is, the boy should have already lost his believe in the tooth fairy months ago, and once one crumbles, they take the others with them. Tooth Fairy: not real. Santa: not real. Easter bunny: not real. That goddamn elf on the shelf doesn’t lose his magic when you touch him, shots at the doctor’s office DO hurt, we DO have a favorite child, we’re just not telling you because it can change daily.

So they boy finds the wrapped gift from Santa. This time my wonderful, again left to deal with this on her own because I'm at work, doesn’t have much to say. There’s nothing to say. He’s figured it out.  No way to cover for this.

He still really wants to believe. He said he always tell him we can’t afford things (I just don’t want to buy him everything he wants because, well, getting everything you want will just set you up to be disappointed when you don’t get what you want. Let me tell you about the GI Joe Cobra Rattler). He wants the magic, he really does.

Does anyone still have their Hatchimal?
I want him to want the magic, too. As you get older and the magic is gone, Christmas can feel like nothing but work; shopping and wrapping and cleaning and cooking and decorating and guests, and staying up late to wrap and trying to find that goddamn Hatchimal that never gets played with after New Year’s day,   and too much to do and not enough time to do it and hiding gifts and lying about what’s in the bag and why does Amazon deliver a box every day and what’s in there  and Santa’s handwriting looks a lot like dad’s even though Dad is really trying to make it look different than his own handwriting but’s he’s really tied and school plays, and holiday programs and work holiday parties and orchestra concerts and unwrapping and bags and bags of the wrapping you spend hours on now just piled four garbage bags high and BAM  it’s over!

But when they wake up and rush downstairs and are excited by what they got, the things they said they wanted, and sometimes even more excited by the things they were surprised the got and didn’t ask for, that’s the fun. The magic.

My wife told him that now he gets to be part of the magic. He gets to help keep it alive for his youngest brother (the youngest always know the truth at the youngest ago as inevitable in a fit of anger, an older sibling ruin it for them). He still believes.

I never noticed it was already opened
What about my other child, my daughter, the poor forgotten middle child? Well, one of her friends told her that her dad told her when she was in second grade that Santa wasn’t real, and he and her mom did all the Christmas shopping and gift giving. She brought this up separately, first to my wife, then to me. I avoided answering, just saying “What do you believe?” but she’d already made up her mind that Santa wasn’t real, so I just turned up the music and we talked about nothing.

So now they are both part of the magic, hopefully keeping their brother a believer for a few more years. I just hope their part of helping with the magic is a bit different that my older brother. One year he opened and played with some of my gifts before my mom had wrapped them, then resealed them in their boxes. I never noticed.

My son did have one final question for his parents:

What did you do with my teeth?

Thanks for reading.

Wednesday, April 03, 2019

Overheard at #AWP19 - Portland, OR



Greetings from Portland!


I spent last week in Portland, Oregon for the annual AWP conference, which is full of panels, craft workshops, the AWP book fair, friends, fun, karaoke, coffee, readings, every skit from the TV show Portlandia and just about anything else you can cram into a three day conference. My favorite thing to do around writers is simply to listen and write down what they say. Here are some  things I heard in Portland.

Things Overhead at #AWP19 in Portland



“I feel so guilty when I print color.”


“Nothing is like being in prison but except being in prison.”
Tayari Jones, author of "An American Marriage" speaks at AWP


“I find it easier to write mean women.”


“I didn’t like your character, so I didn’t want to read it.”

“You’re not having brunch with my character!”


“Pay special attention to the last lines.”

“It’s okay to take a water break.”

“It’s a beautiful day for Jesus.”

“I need coffee.”

“Is that Matt Bell?”

“Where’s Tanzer?”

“What are you working on?”

“Are you a poet? You look like a poet. Fiction? Really? You look like a poet?”

“This is a microscopic picture of my urine."



“What does a bird do?”

“Are you sure you’re not a poet? I mean, you dress like a poet.”

“Where did you get your MFA?”

“Just write.”

“I’m a poet scientist.”

“It’s legal here, right?”

“What was the question?”

“Can you hear me?”
“No.”
Gets slightly closer to the microphone but still too far away.
“How about now?”

“The New York houses….”

“The New York Publishing world…”


Beech Street Salon


“Is your coffee carbon neutral?”

“I can’t remember who said it and I’m totally going to mess it up but <insert any quote about writing>”

“The great writer…”


“The great poet…"

“The fabulous writer…”

“The terrific writer…”

“Okay, we have one more reader.”

“What do you write?”

“You look like just like this guy I went to high school with.”

“I need coffee.”

“Seriously, you’re not a poet?”

“Do you have gum?”

“It’s a drabble story.”

Sometimes you just gotta stretch
“I don’t believe in writer’s block.”


“Is hand job one word or two?”

“It’s better than Instagram.”

“I have Uber on my phone now.”

“Do you teach?"
"Oh, god, no.”

“I can’t remember who said this, but it’s something like <totally messes up quote about writing>”

"No, really, you must be a poet. Look at your scarf."

"Did you go to Powells?"




That's all I've got. Hopefully there will be more words of wisdom at AWP20 in San Antonio, Texas next year.

Thanks for reading!
This is AWP19 - Photo Credit Jeff Pfaller







Look Who's Fifty

One of my friends sent me these words today on a group text on my 50 th birthday: “Time is the trickster. Today I woke up half a century ...